Apple’s recent launch of Final Cut Pro X (FCPX) is responsible for a large amount of controversy. Many additional features and speed improvements happen to be added, but a majority of more features are conspicuously missing. Further, this latest release is not backward compatible with any previous versions. Why is it so different and what is Apple’s plan? Here’s the news.
Older versions of ultimate Cut Pro were built using the Carbon application programming interface (API), which limited programs to 32-bit, thereby limiting available memory to 4GB. Currently where base MacBook Pros feature 4GB of memory and dual-core, 64-bit processors, this is a serious limitation. Apple’s latest API, called Cocoa, allows the utilization of 64-bit architecture, eliminating memory bottlenecks, which necessitated a complete rewrite of Final Cut Pro. Because FCPX can be a complete rewrite using Cocoa, it’s capable of operate much faster on current hardware and takes advantage of multi-core processors.
Judging by the variety of professional features conspicuously missing, FCPX was probably written primarily for speed with plans to combine features later on. It currently will not support OMF output, that’s widely used to import audio into ProTools for mixing, or Edit Decision List (EDL) data, a feature used to move a task into another program for that finishing stage. Multi-cam support and output to tape, a format still used by many professionals, is also missing. Furthermore, there seem to be no offers to release a latest version of Final Cut Server, which is used to allow multiple users to operate over a remotely-stored project simultaneously. Several video formats, including XDCAM and Red, don’t yet have support; because of the complete rewrite, support per video format must be completely rewritten.
Not everything about FCPX is not good news, though; Apple has added several new, user-friendly features to their favorite video production program. The app features a new Magnetic Timeline feature, which groups audio, video and effects together and allows the designer to advance clips around without displacing the project. Additionally, Final Cut Pro X Effects has Content Auto-Analysis, which detects a good folks it and identifies close, medium and wide-angle shots. Compressor 4, the encoding companion program for Final Cut Pro, adds additional export functions, live streaming support and streamlined library settings. Motion 5, FCPX’s motion graphics companion, provides smart motion templates, parameter control and editable Final Cut Pro templates.
FCPX may be the official replacing Pro 7, but it has additionally absorbed many top features of other Final Cut Studio programs, effectively replacing the suite with one program. Compressor 4 and Motion 5 provide other features not provided by FCPX and is purchased for $49.99 each around the Mac App Store, Apple’s desktop version of their groundbreaking mobile app platform. Retailing at $299.99 for the App Store, FCPX in addition has completely replaced Express, the customer form of Final Cut Pro. Formerly, Express was $200, with the Pro version costing $1000.
Apple’s complete overhaul of ultimate Cut Pro has resulted in a good stir, but it’ll be a while before all the features are added, so it’s tough to draw a certain conclusion thus far. The removal of Express as well as the reduction of price apparently put it somewhere within someone and professional application. Regardless of the lack of many features used by professional, Pro Express seems to be the best place for a person planning to start creating their very own videos, particularly with the brand new user-friendly tools added by Apple.
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