It becomes an interesting undeniable fact that usually most widely used subculture is cooked up by somebody who seeks profit only, and after that is fed into a hungry young crowd of fans. This isn’t forever the situation in Japan, though. The art is for the art’s sake ‘s what comic market followers are longing for.
Yoshishiro Yonezawa, a novelist, critic plus a passionate supporter of popular manga subculture, created an idea of founding an organization, market that is open for all you non-professional manga artists who form their very own circles called doujinshis to make manga mimic artwork and magazines (which are called doujinshis, too). The concept became extremely popular as Comiket, the largest comic market on the planet, is held in Japan every six months for three days uninterruptedly whenever during winter plus summer. There are far more than 35 thousand circles participating along with more than half one million attendees.
It’s a space where freedom of expression is preached over a major, and organizers never thought of so large successful of the creation. Before Comiket, young adults who studied in high school graduation or university, took part in comic markets as amateurs, and ceased to participate in after graduation. But also in mid-seventies this changed drastically. It had become not simply a hobby, however a lifetime passion, as much artists got appreciation and followers because of growing popularity of doujinshi phenomenon. There are many than 2000 doujinshi markets taking place in Japan each year, and Comiket is in no way the most famous one.
The actual idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as United states of america. The amount of doujinshi circles mushroomed as markets provided great opportunities for a great number of amateur artists and mangakas (manga artists).
First the predominant a part of doujinshis creators were women, about 80 percent. Within the 1980s more males became interested, now the ratio seems to favor female artists only slightly.
We conclude that doujinshi is really a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.
For more details about Doujin go this webpage.